To ask other readers questions about Monstrum House, 3, Bestie aus der Tiefe , please sign up. Be the first to ask a question about Monstrum House, 3, Bestie aus der Tiefe. Lists with This Book. This book is not yet featured on Listopia. Community Reviews. Showing Rating details. All Languages. More filters. Sort order. Emma rated it it was amazing Feb 10, Sevan rated it liked it Jan 23, Sandra Christiansen rated it really liked it Aug 30, Katie marked it as to-read Jun 17, Jardyn marked it as to-read Sep 27, Maira Rodriguez marked it as to-read Dec 04, EUR Postwar trials of National Socialist perpetrators number into the tens of thousands, and it is likely that the exact numbers of such proceedings and the defendants they have targeted will remain unknown.
At the same time, it is common knowledge that the vast majority of the accused were male. This should not come as a surprise. After all, the power structures of the party, the state, and the military were firmly in the hands of men and excluded women.
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Men gave the Hitler regime its seemingly boundless criminal energy and established its giant, ruthless terror apparatus. Men unleashed and conducted the wars against the Third Reich's external and internal enemies, and in the process presided over a genocide of unprecedented proportions and countless war crimes.
Thus it was only natural that male defendants predominated in the docks of allied and other courts after Nazi Germany's collapse. But women also found themselves facing justice. Excluded from the decision-making elites and reduced to the ranks of subordinates, women committed far fewer criminal acts than men.
Nonetheless, after May several were prosecuted, alongside male co-defendants, for their actions as concentration camp supervisors or as privileged prisoners.
Others stood trial for their involvement, as health care professionals, in the euthanasia murders. Popular stereotypes determined the perception and self-perception of all defendants. Although a small minority among the accused, women drew a disproportionate share of public attention. Their presence in the dock violated social and gender norms. Long-held prejudices caused the media and the general public to show a particular interest whenever a woman had to answer charges of National Socialist crimes nationalsozialistische Gewaltverbrechen , abbreviated below as "NSG".
The editors consider it probable that such views influenced both NSG trials and jurisprudence.
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Moreover, male defendants generally portrayed themselves as mere subordinates who had followed orders and who were otherwise model citizens. It posits that the perpetrators were "ordinary men" who killed not because they felt threatened but due to a combination of factors such as peer pressure, career ambitions, apathy, a heightened willingness to resort to violence, etc.
But there were apparently no "ordinary women. The editors emphasize that no gender-historical studies exist of the male defendants and their treatment by the media. Weckel and Wolfrum point to the larger Holocaustforschung , which initially also eschewed the new method but has since recognized its value. They urge the Taeterforschung to do the same because "men and women who had participated in National Socialist crimes and stood trial after were perceived most differently and--at least outside the courts--judged in accordance with a double-standard that was amalgamated with diverse gender representations" pp.
Mann began her work as a war correspondent in and eventually reported for the BBC and several print media.
Black Beasts (German translation)
As a former cabaret producer and actress, she had a well-developed sense for the macabre and the grotesque. One of a small number of female reporters at Nuremberg, Mann was the only woman to gain access to the Luxembourg hotel that served as the pretrial detention facility for the Hitler regime's top representatives. There, the experienced actress encountered prisoners preparing for a "ghostly-grotesque stage production" p. Reporting on her visit for Liberty Magazine , she refers to the Third Reich's movers and shakers as "ein trauriger, gottverlassener Haufen" p.
Many articles express disbelief that "these pathetic characters" p.
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German accounts also show a great interest in the issue of guilt and whether it belonged to Hitler, the spineless Nuremberg defendants, the lower-ranking perpetrators and fellow travelers, or German society in its entirety. The correspondents, male and female, agreed that the accused were "great criminals, but insignificant men p. Goering et al. The devastating image of the perpetrators thus served to discredit National Socialism and its ideals.
After all, one of the trial's principal functions was to contribute to the reeducation and democratization of the Germans. How one particular media outlet, the Berliner Rundfunk, employed perpetrator images in its reports is the topic of Christine Bartlitz's essay. Managed by reliable communists, the radio station broadcast numerous reports and editorials on the Nuremberg proceedings and especially the accused. In fact, Bartlitz was able to examine over manuscripts for her research. These sources shed light not only on the reporting priorities of a communist-led medium, but also the mental state of German postwar society.
The station regularly portrayed the defendants as greedy crooks and pathetic creatures. They alone were guilty. The following is a selected list of films, both short and long, directed by Delmont.
In many he also wrote the screenplay or appeared as an actor. The German National Library knows of 15 novels and 11 other works by Joseph Delmont, of which the following are a selection:. From Wikipedia, the free encyclopedia.
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